Oscar-nominated sound designer Julian Slater speaks about new ways of editing sound and why the term ‘immersive’ can be a red herring.
Julian Slater’s star was already rising before he set to work on Edgar Wright’s Baby Driver but the high-octane soundtrack of the musical heist film shot his profile about as high as it gets for the ‘below-the-line’ craft of sound editing.
“For lots of people…
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