Wildlife content curators are evolving from vehicles that celebrate natural history into platforms that are enabling communities to take more direct action
There was a time when Wildlife festivals were just that – primarily biannual affairs with an awards ceremony attached and a big broadcaster blazing a trail with a blue chip doc on a particular species or habitat.
No matter where in the world the content was shot, the narrative was typically told from a Western point of view and, no matter how many awards the films garnered, only a handful would achieve distribution beyond the festival circuit.
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