All Audio articles – Page 5
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Industry TrendsIBC2017 technical papers: Audio
Technical papers on audio presented at IBC2017 included UK startup Salsa Sound, which went on to win the IABM Annual Conference Dragons’ Den competiton earlier this month for its live sports broadcast system.
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Technical PapersAutomatic generation of audio descriptions for sports programs
NHK has developed a means of automatically generating auxiliary audio descriptions from metadata for use in live TV sports programs.
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Technical PapersExperiments in immersion
Case study: The BBC has over forty VR, 360 video and immersive audio experiments, that teams across the corporation have developed, covering a broad range of topics.
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Technical PapersAutomatic sound source localisation for object-based audio recording
The ORPHEUS research project aims to invent new workflows for producing, broadcasting and playing back object-oriented audio content.
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Technical PapersEnhanced next generation audio for live sports broadcast
Sports broadcasters benefit from a more adaptive scenebased audio capture and rendering, commonly referred to as Next Generation Audio (NGA).
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Technical PapersORPHEUS audio project
Object-based media is a revolutionary approach for creating and deploying interactive, personalised, scalable and immersive content.
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Industry TrendsIBC2017 round-up: Halls 9, 13 and 15
The next phase of the industry’s development: from major UHD and cloud-based product launches as well as some impressive IP deployments on show.
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Industry TrendsIBC2017: Visitor numbers on the up
IBC2017 has confirmed a year-on-year increase in visitor numbers, marking a record attendance of 57,669 across the six-day event.
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Industry TrendsThe power of the podcast
IBC2017: The final instalment of the popular What Caught My Eye series of sessions concluded with producer and social media expert Muki Kulhan scouring the exhibition halls to come up with her best buys for web-broadcasters.
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Thought LeadershipThe potential of object-based audio for broadcasters
Object-based audio allows for greater personalisation of content but the underlying technology needs to be open to allow for interoperability, writes Roger Miles.
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Industry TrendsDolby honoured for 50 years of innovation
IBC2017: Dolby Laboratories recognised for its 50 years of audio innovation receiving the International Honour for Excellence at the IBC Awards Ceremony.
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Industry TrendsSculpting the sound mix of Edgar Wright’s Baby Driver
As technologies such as Dolby Atmos ramp up what is possible in the cinema, so productions are responding in turn.
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Industry TrendsFrom Plumbicon cameras to 8K displays: 50 years of innovation
As IBC celebrate its 50th, David MacGregor – the only person believed to have attended every single IBC - shares his memories of the industry.
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Industry TrendsRoadside editing: How Paul Machliss cut Baby Driver
Edgar Wright’s action and crime drama Baby Driver redefined the cinematic post-production workflow with the integration of music storyboarding from start to finish.
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Industry TrendsDelivering the arts to new audiences
A range of technologies are enabling new methods of producing and distributing content to the cinema, TV and online.
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Industry TrendsHPA opens entries for Engineering Excellence Award
The Hollywood Professional Association (HPA) opened the call for entries for its Engineering Excellence Award at the Future of Cinema Conference at NAB.
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Industry TrendsNAB 2017: Avid makes move to the cloud
Avid kicked off NAB with a customer and press event that focused on the company’s roll out of cloud-based apps and services.
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Industry TrendsEBU loudness specification changes
In 2016, the European Broadcasting Union (EBU) updated all of its loudness specifications, except for the core, EBU R128 itself.
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Technical PapersA framework for a content-based hybrid content radio
This paper gives an overview of the recent experimental services proposed by a group of European Broadcasters exploring the potentialities of a hybrid approach for audio in radio.
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Technical PapersMaking audio sound better one square wave at a time
For the past three decades, FM broadcasters have been engaged in what have become known as the “loudness wars”,
